Preface vii
Bibliographic Abbreviations xi
Introduction 3
Piano Trios, Quartets, and Quintets 3
Piano Chamber Music in Britain, 1800-50 7
British Musical Life, ca. 1850-1950 8
Continental Influences and Self-Defacing British Attitudes 9
Immigrant Professors and Musicians 12
The British Musical Renaissance 13
Amateur Music-making and Music Societies 16
The Legacy of W. W. Cobbett 17
Professional Ensembles 18
Concerts and Concert Series 19
The Question of Light Music 24
Composers 26
Publishers 28
Genres: Multi-movement Works, Variation Sets, and Phantasies 29
Folksong Settings 32
Educational Works 37
Nationalities 38
1 Piano Trios (Violin, Cello, and Piano) 39
Concert Works 39
Miniatures 83
2 Piano Trios (Other Combinations) 109
Concert Works 109
Two Violins and Piano 109
Violin, Viola, and Piano 111
Viola, Cello, and Piano 115
Miniatures 116
Two Violins and Piano 116
Violin, Viola, and Piano 118
Violin, Bass, and Piano 119
Two Cellos and Piano 119
Cello, Bass, and Piano 119
3 Piano Quartets (Violin, Viola, Cello, and Piano) 121
Concert Works 121
Minatures 140
4 Piano Quartets (Other Combinations) 141
Concert Works 141
Two Violins, Viola, and Piano 141
Two Violins, Cello, and Piano 141
Miniatures 142
Three Violins and Piano 142
Two Violins, Cello, and Piano 142
Three Cellos and Piano 144
5 Piano Quintets (Two Violins, Viola, Cello, and Piano) 145
Concert Works 145
Minatures 164
6 Piano Quintets (Other Combinations) 169
Concert Works 169
Four Violins and Piano 169
Violin, Viola, Cello, Bass, and Piano 169
Miniatures 171
Three Violins, Cello, and Piano 171
Two Violins, Cello, Bass, and Piano 171
Appendix 1—Series 173
Appendix 2—Educational Works 177
Appendix 3—Manuscript Locations 189
Select Bibliography 191
Genre Index 195
Title Index 207
General Index 217