Acknowledgments and Introduction         ix
        CLAIRE FONTIJN
    Tribute to Alexander Silbiger         xiii
        GEORGIA COWART

PART 1 - Frescobaldi

 1     A New Frescobaldi Document          3
            FREDERICK HAMMOND
 2     The Manuscript Chigi Q.IV.24 of the Biblioteca Apostolica Vaticana as Frescobaldian Source: New Criteria for Authenticity          23
            ÉTIENNE DARBELLAY
 3     Frescobaldi’s Fioretti: Testimony from a Missing Book          39
            CHRISTINE JEANNERET
 4     Cardinal Pietro Aldobrandini in Villa: What Aesthetics Can Teach Us about Musical Patronage in the Early Modern Period          61
             CLAUDIO ANNIBALDI

PART 2 - Vocal Music

 5     Another Monteverdi Problem (and Why It Still Matters)          83
            TIM CARTER
 6     Monteverdi’s Mass of Thanksgiving: Da Capo          95
            JEFFREY KURTZMAN
 7     Stealing for the Duke: Girolamo Belli’s I furti          129
           GIUSEPPE GERBINO
 8      “Sotto la disciplina del Signor Cavalli”: Works by Strozzi and Bembo          165
            CLAIRE FONTIJN

PART 3 - The Transition from Modality to Tonality

 9     Key Signatures, Fugal Answer, and the Emergence of the Major Mode: A Case Study in G Major          187         
            MICHAEL R. DODDS
10     The Meaning of Tuono: Tonality, Musical Style, and the Modes in Settecento Theory          203       
            GREGORY R. BARNETT

PART 4 - Keyboard Music

11     The Allemandes of Louis Couperin: Songs Without Words          237
            CATHERINE GORDON-SEIFERT
12     Crossing the Rhine with Froberger: Suites, Symbols, and Seventeenth-Century Musical Autobiography          271
            DAVID SCHULENBERG
13     Seventeenth-Century Harpsichord Music from the House of Thurn und Taxis          303       
            BRUCE GUSTAFSON
14     Fifty-Two Fugues from 1618, An Essay on Genre          323
            DAVID FULLER

PART 5 - Music of the Eighteenth Century

15     Hearing the Viola da Gamba in “Komm, süsses Kreuz”          419
            JONATHAN GIBSON
16     New Cadenzas from Eighteenth-Century Berlin          451
            MARY OLESKIEWICZ
17     From Opera Seria to French Grand Motet: Thoughts on a Récit from Mondonville’s Venite exultemus          465       
            JEAN-PAUL C. MONTAGNIER

PART 6 - Newfound Sources in the United States

18     “Becoming Useful”: The Making of Confederate Women Composers          481
            CANDACE BAILEY
19     Well-Tempered Insight: Bernardus Boekelman’s Analytical Edition of Selected Fugues from the Well-Tempered Clavier          505       
            JOEL SHEVELOFF
20     Music That Escaped: Transcriptions of Two Songs of Praise from a Surviving, but Still Hidden Synagogue Repertory          525
            DANIEL S. KATZ

Published Writings of Alexander Silbiger          575
Index          581
Contributors          597